Gay Theory and The Wizard of Oz

In Clark’s essay, “The Case of American Fantasy,” she mentions the popular idea, in LGBT sub-culture, that Dorothy’s companions are potentially homosexual, or at least not the stereotypical heterosexual man. There is a sense that the lion is ‘born to be a sissy,’ expressing that he is an effeminate male figure. This is obvious, perhaps, from his sensitive claws, upon touching the tin man’s body.
Within the sphere of gay culture, there are numerous types of gay men, include the term ‘Bears’, which are composed of a group of muscular, many looking men, who often possess quite a lot of chest hair, but tend to be quite tender at heart. It is not far fetched to claim that, if one were to look at The Wizard of Oz under such a lens, that the cowardly lion might fit into such a category.
Certainly, the idea of the tin man and the scarecrow, both men desiring what the other apparently has no need for, might be considered a good pair. To desire a mind, one might say is quite masculine; whereas to desire a heart is more effeminate. One could imagine a new family, with the tin man and the scarecrow as the parents, with the lion as perhaps the protective older brother.
Having not studied Baum’s life, it is difficult to discern whether or not he, himself, could have intended such a portrayal, but, regardless of whether or not it was intended, the fact that this vision is shared by many, is powerful in and of itself. It expresses the potential for such a family to exist, and raises social awareness of this homosexuality, and the homosexual family, in a non-threatening and pleasing manner, which can raise hope of acceptance.
Regardless of Baum’s intentions, in terms of homosexuality, his message about masculinity is clear. You do not have to be a handsome prince, of flesh and striking features, charm, wit, and courage to save the heroine; for even a tin man, a lion, and a scarecrow are worthy heroes.