Pinocchio misbehaves in every way conceivable for a nineteenth century Italian child: he runs away constantly, lies, and disobeys every command. Yet despite his persistent naughtiness and forgotten repentances, Pinocchio somehow manages to retain the unconditional love of both of his parental figures. Geppetto and the Blue Fairy save and forgive him for every misdeed, despite his repeated disobedience. Their perfect parental love strains belief, even for a fairy-tale-like story.
The Blue Fairy’s magical powers and angelic resurrection seem to explain her capacity for ceaseless love, but Geppetto is a poor, common man. Geppetto’s sacrificial love continues to strain belief especially after the reader considers the timeline of the tale. Geppetto carves Pinocchio, who immediately runs away and Geppetto is taken to jail. Geppetto returns the next day, forgetting his initial anger when he sees Pinocchio’s burned feet, and giving Pinocchio his pears. In what seems to be the same day, Geppetto sells his coat to buy Pinocchio a primer. The next day – two days after Pinocchio’s creation – Pinocchio runs off and begins his adventure that keeps him from Geppetto for two years.
Even disregarding Pinocchio’s odd genesis, Geppetto displays a remarkable amount of self-sacrifice for a creature he has only briefly known. He gives up his food and his coat, but also seems to have given up his temper. Geppetto gets in a scuffle in the second chapter, and is jailed in the third because the policeman believes Geppetto is “a perfect tyrant with children” and believes Geppetto will “tear [Pinocchio] to pieces” if left alone with him (17-18).
Fatherhood has transformed Geppetto. Here, Collodi represents parental love as totally innate – all that is required is the appearance of a child. Geppetto needs no experience, nor a wife, to immediately know what is best for Pinocchio.
Geppetto lovingly names him Pinocchio to “bring him good luck,” but the puppet begins abusing him before his body is even fully formed: “You are not even finished and you already disobey your father!” (13, 14). Nevertheless, he continues to care for Pinocchio, even later “patient[ly]” peeling the pears to teach Pinocchio a lesson about valuing food (33). Geppetto continues to maintain love of this caliber, formed over two days, for over two years of hardship and abandonment. Such a short time period, especially one full of abuse, does not seem enough to cultivate such longstanding affection. Collodi is therefore representing parental love as not only innate, but immediate: Geppetto’s love is fully formed upon Pinocchio’s creation, and requires no reinforcement from his child. Pinocchio may choose to please his father, but parental love will withstand the greatest abuse.
However, since Pinocchio was carved into being, Geppetto directly created him. In this sense, carving the puppet is closer to the construction of the child in the womb than the usual male involvement, making Geppetto’s parental role more maternal than paternal. The Blue Fairy claims Pinocchio as her own, but she has no real involvement in his creation. Geppetto’s journey throughout the book also seems more traditionally feminine – he is self-sacrificial, then abandoned, then suffers alone, but is finally rescued and cared for.